What goes into writing a great movie script?

Audiences are smarter than you think. Something about turning down the house lights makes their IQs go up.

Outline everything. Use story beats. Keep character’s mouths taped up, until they absolutely MUST speak. Write the script and the dialogue at the last minute, after you’ve revised the hell out of the outline.

To develop a unique voice for each character, try interviewing your characters.

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Actors give better feedback than writers do.

Cut everything that is not a payoff, or a setup for a specific payoff. “Omit needless words.” Think about the sparseness of joke telling, or Grimm Brothers.

Use status to help drive conflict. King Lear/fool. Upstairs/downstairs.

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Research the facts and then throw away the research.

The DSM 5 is a wonderful character compendium.

A scene should change valence from beginning to end. Up to down, down to up.

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A critical function of storytelling is wish fulfillment. This is why video games are so popular. “That protagonist is JUST LIKE ME.”

Make sure to pack enough explosives into the rocket.

Get up there yourself. Be in a movie. Take some acting (not writing) classes. Learn how a trained actor approaches a text. Learn why actors take roles. They do as much if not more than the writer does.

Ive been pretending to be okay and acting as normal as possible, but Im actually completely heartbroken after a recent breakup. Its painful and really affecting me, to the point where I cant concentrate at work, Ive lost my appetite, I cant sleep, and It feels as if my whole world has been turned upside down. I loved him so much. He said so many cruel things to me and it made me realize he must not have loved me the way I loved him, or he wouldnt have said such horrible things. How do I handle the heartbreak and why cant I accept that he didnt love me and just forget about him?

Your primary job is to create situations. Modern actors will fuck up your dialogue, despite whatever your contract says.

Don’t direct from the page. Everyone, from the director on down, wants to be part of the process of making movies. Let them do their work.

Write in reverse time. Major characters need to change polarity; minor characters may remain the same at the end.

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Conflict is your power source; without it you have no drama and hence no script.

Only God gets it right the first time. Rewrite everything.

Maintain a slush pile/idea file. When you are ready to write, choose the best seeds to plant.

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All rules are made to be broken, but you damn well better know WHY you’re breaking them.

Leave holes. Write and unwrite. Put it in, take it out.

Primary characters must change polarities. Secondary characters can change less.

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Learn to tell a story orally and not through writing. Try telling your story to a friend.

People choose what to see based on the high concept. Make sure to deliver an ending consistent with the high concept -- it is what the audience paid for.

What you leave unwritten is as important as what you write. SUBTEXT.

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